CD in 4-panel digipak. Edition of 500.
Unto Ashes conjures a stirring and captivating album, simultaneously beautiful and unsettling.
Pretty haunted things — their eleventh Projekt release in a career stretching two decades —
effortlessly spans the ages from a dark and medieval flair to modern apocalyptic gothic-folk.
Recorded almost entirely in an octagonal Victorian parlor room, bewitched by centuries-old
traditions, the songs of reflective solemnity are swathed in dramatic, soaring choruses exe-
cuted by Ericah Hagle, Michael Laird, and Bret Helm (of Audra).
The music harkens back to their groundbreaking debut, Moon Oppose Moon (1999): Unto
Ashes has wrought music with an unusually broad array of diverse instruments, including
hammered dulcimer, harmonium, autoharp, psaltery, viola da gamba, acoustic guitar, piano,
and Arabic percussion. The songs are masterfully crafted by Laird, whose enchanting pro-
duction is characterized by a gossamer of sonic treatments.
The eerie, olden-skills Poppet dolls that adorn the covers seem to beckon the listener with
binding spell of ensorcellment.
As is their custom, Unto Ashes’ songs are unified in their explorations of love, loss, and life.
There are moments of quiet reverie followed by epic revery. Ericah Hagle’s “White Noise”
presents a harrowing hospital farewell; the melancholic and exalted “I’m too high” reflects
on a distant past; the mesmerizing “I’m living in a Coma” concerns a flat-lined relationship
and could almost be classified as psychedelic music; “Letter from Choco to Melody” is a
magnificent eulogy to a departed cat, and can also be seen as a testament to undying love;
the descending melody and preternatural harmonies on “Don’t ask Me if I’m crazy” are un-
forgettable. Strictly speaking, there is a love ballad on the album, although it is deceptively
disguised as an anthem “For My Funeral”; some listeners have sworn that this is “the song”
that must be played for them on “that day.”
Two songs are graced with words by 19th-century authors, namely Emily Bronte (“Fall
Leaves Fall”) and E.A. Poe (“Alone”). Fans of Unto Ashes are well aware that the band has
crafted many fine and completely original cover songs, of which we find at least ONE on
each of all of their albums. On Pretty haunted Things Unto Ashes pay homage to one of
their early heroes, Gary Numan, with a breathtaking cover version of “My Dying Machine”
performed exclusively on Arabic and Oriental instruments.
The title of the album (taken from a line in “I’m too High”) obliquely references the pretty
and haunted songs contained in it. Or is the band referring to the Poppet dolls, which are
both pretty and haunted; or to people they either know or have not yet met? Regardless,
Pretty haunted things might just be one of their finest conjurations to date.
Tracklisting:
| Nr. |
Track |
Zeit |
| 1 |
I'm living in a Coma |
-- |
| 2 |
Letter from Choco to Melody |
-- |
| 3 |
Alone (EA Poe) |
-- |
| 4 |
I'm too high |
-- |
| 5 |
My Dying Machine (Gary Numan) |
-- |
| 6 |
For My Funeral |
-- |
| 7 |
Intertwined |
-- |
| 8 |
White Noise |
-- |
| 9 |
Not here |
-- |
| 10 |
Don't ask Me if I'm crazy |
-- |
| 11 |
Fall leaves Fall (Emily Bronte) |
-- |
| 12 |
Hidden |
-- |
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